Looking back at old Oscars photos, especially from the 1970s, sends nostalgic chills down my spine.
There’s something almost haunting about those images — they evoke memories of a different era, a different America, when the Academy Awards truly felt worth watching. Back then, our celebrities exuded class, glamour, beauty, and elegance.
Someone once said that the 1975 ceremony was “back when actors and actresses had class and no political agenda,” and while that may not be entirely true, it certainly feels like we’ve lost something important.
So let’s journey back to the 47th Academy Awards and focus on one particular photo that has sparked intense conversations recently. What is it about this image that has people talking?
”Ugly” and ”grotesque”
It’s hard to discuss the 1975 Oscars without mentioning Dustin Hoffman. The legendary actor, now 87, certainly dominated the pre-show chatter — though perhaps not in the way many might expect.
Nominated for his captivating performance in Lenny, a biographical film about comedian Lenny Bruce, Hoffman wasn’t exactly thrilled about attending the ceremony. Known for his outspoken criticism of the Academy, he labeled the event garish and embarrassing, even going so far as to call it ”ugly” and ”grotesque,” likening it to a beauty pageant.
This sentiment prompted host Bob Hope to quip, “If Dustin Hoffman wins tonight, he’s going to have a friend pick it up for him — George C. Scott,” referencing Scott’s own refusal to accept his Oscar in 1971.
While Hoffman didn’t take home the Best Actor award that night, it didn’t stop Frank Sinatra, one of the evening’s hosts, from taking a jab at him. Sinatra, known for his charisma, made a gratuitous dig that fell flat among the audience.
Sinatra fluffed his lines
It seems Sinatra had a challenging night at the 47th Academy Awards.
Reviews from 1975 were less than kind. Renowned film critic Roger Ebert of the Chicago Sun-Times reported that the audience even booed Sinatra during the show.
He appeared slightly tipsy and fluffed his lines, making “several pointed, tasteless references to his fellow Italian-Americans.”
”It was an embarrassing spectacle,” Ebert wrote.
But more controversial things were destined to play out that night.
The speech that infuriated Bob Hope
Speaking of how the award ceremonies were supposedly less political in the past, there’s a story from the 1975 Oscars that strongly contradicts that idea. In April of that year, the Vietnam War was just about to end, and that was certainly felt throughout the evening.
When documentary filmmaker Bert Schneider took the stage to accept the award for Best Documentary for Hearts & Minds, he couldn’t help but bring Vietnam into the spotlight. He remarked, “It’s ironic that we’re here at a time just before Vietnam is about to be liberated.” This wasn’t particularly surprising, given that his critical documentary was centered on the Vietnam War.
However, things escalated when Schneider read a telegram containing “Greetings of Friendship to All American People” from Viet Cong Ambassador Dinh Ba Thi.
The telegram thanked the anti-war movement “for all they have done on behalf of peace,” and that was too much for the Oscar emcee Bob Hope, who was a longtime hawk on the Vietnam war.
Fired back
Unwilling to let it slide, an hour later, Hope wrote a telegram that Frank Sinatra read to the divided audience: ”The academy is saying, ‘We are not responsible for any political references made on the program, and we are sorry they had to take place this evening.’”
This speech infuriated Shirley MacLaine, one of the co-hosts, as well as actor Warren Beatty. Beatty sarcastically fired back, ”Thank you, Frank, you old Republican.” MacLaine added her own sharp comment, saying, ”You said you were speaking for the Academy. Well, I’m a member of the Academy and you didn’t ask me!”
In hindsight, some people felt that Bert Schneider’s comments were relatively mild. Those who knew him noted that his statements at the 1975 Oscars were surprisingly restrained — especially considering how outspoken he could be about the Vietnam War at times.
Collective showbusiness guilt
Ingrid Bergman needs little introduction, and at the 1975 Academy Awards, the legendary Swedish actress was honored with the Best Supporting Actress Oscar for her role as Greta Ohlsson in Murder on the Orient Express. At 59, she received a standing ovation from the admiring audience — but her emotions were mixed.
Presented by Katharine Ross and Peter Falk, Bergman gave a humble and apologetic acceptance speech, remarking that actress Valentina Cortese deserved the award more than she did.
Bergman felt she won the Oscar partly due to Hollywood’s lingering guilt over having turned its back on her in 1949, following her scandalous affair with director Roberto Rossellini.
A striking moment
The 1975 Academy Awards at the Dorothy Chandler Pavilion in Los Angeles, California, was truly one for the ages.
It had everything—elegance, iconic stars, political intrigue, and unforgettable films like The Godfather Part II sweeping the night. Looking back, it feels like the peak of Hollywood’s golden era, when celebrities carried a charm and grace that seems rare today.
Hardly surprising, then, that the gala is still talked about. Especially one photo that has sparked attention — even though almost 50 years have passed.
The photo, featuring two of Hollywood’s most iconic figures, Jon Voight and Raquel Welch, continues to spark conversation because it perfectly encapsulates the elegance and allure of that era. However, the image has also sparked some criticism.
On that glamorous evening, Jon Voight was dressed to the nines in a classic black tuxedo, standing beside the dazzling Raquel Welch, who shimmered in a dark pink gown that boldly defied gravity. Together, they took the stage as presenters for the Best Cinematography award. Though neither of the legendary actors was nominated that night, they certainly made a striking impression on the red carpet.
”Jon’s looking like a creep”
The photo from this event has since gone viral on social media.
While most people adore this iconic image, some commenters have raised eyebrows, claiming that Voight’s hold on Raquel Welch looks inappropriate. ”Jon’s looking like a creep. Raquel doesn’t look comfortable. Unless they were a couple—that’s well creepy,” one woman remarked. Another added: ”She looks like he is touching her without her consent 🥺.”
However, there are many who defended the photo and Voight:
“I was a young woman at the time, and having a man hold me like this at an event or elsewhere happened often and was fine. It could feel very good, but of course, some guys were nicer than others—some sleazy ones—but no big deal. Some of the outraged sentiment here just makes me laugh. Lighten up, people!” one commenter stated.
Another chimed in: “Everybody’s so critical. If you were not around at that time, you have no opinion. If you were around then, you know there is zero wrong with this photo! Gezz, people….”
What do you think? Is this snapshot a charming glimpse into the past, or does it reveal uncomfortable truths about gender dynamics in Hollywood? Let’s keep the conversation going — and share this article on Facebook!
